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The patient Socrates
Playing it safe is Daniel Kim as Melito. It's always easier for tenors to seduce their audience.

Kim has a breathy, warm-hearted voice, which he sings with relish on the ramp.
-Berliner Morgenpost

Outstanding in vocal culture and reserved was Daniel Kim as Melito.

-opera glass

Cosi fan tutte
Daniel Kim (Ferrando) rightly received the most intensive applause for his aria "Un aura amorosa" -

not because of the beauty of the registers, which have not yet been combined into a unit, but because of the courage to dare differentiated expression and clear dynamic contrasts beyond all concentration on technique.

- Match of the day  

opera gala
With the lyrical tenor Daniel Kim, one was relieved to discover that there are still excellent Mozart singers. –
- North Sea Newspaper


The land of smiles ...
Daniel Kim had a partially outstanding Sou-Chong at his disposal,

who brought in a top-class piano tenor and sang very tastefully, in addition to his impressive outward authenticity. –
-Weser courier


La Sonnambula
The Elvino is almost a tailor-made role for Daniel Kim. Here he was able to enjoy all the advantages of his

unfold its safe, never glaring height and its cultivated design possibilities. –
- North Sea Newspaper


As Wilhelm Meister, Daniel Kim once again proved what a cultivated singer he is.

– Sunday Journal

The Circus Princess
Tenor Daniel Kim spreads the mysterious aura that Mister X needs and elegantly wins all hearts with the hit "Two Fairy Tale Eyes". Moreover, with Daniel Kim, Bremerhaven's "Zirkusprinzessin" has the better tenor.
- North Sea newspaper  


Mary Stuart
Daniel Kim has probably found his best game to date in Count Leicester,

for his light tenor flourished elegantly and powerfully. 
-opera glass


Un Giorno di Regno
Young officer Edoardo, played by Korean tenor Daniel Kim,
was the musical highlight of the evening.
-The new marker


Particularly noteworthy is the very flexible and expressive tenor Daniel Kim
-Frankfurter Allgemeine


Barbers of Siviglia
a flexible tenor with a remarkable sense of sound, confidently sung (including the inserted virtuoso aria am Schuluss) and played with spirit.
-The New Marker


Daniel Kim coped - especially in the second act - respectably, but not without effort, with the ornamental singing of Count Almaviva.
-Rhineland Palatinate.

Lucia di Lammermoor

was that evening

the opera of the tenor.

Daniel Kim sang himself with consuming

passion and splendor,

melt-covered heights, while subtly shaping into the hearts of the audience.

opera glasses

New Year's Concert

The unique symbiosis of a large philharmonic orchestra and world-class ballet was topped by the Korean tenor Daniel Kim. Winner of many prizes, he delighted audiences with his voice and a performance that was unusual for a tenor.

Esslinger newspaper

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